The Dun Book of Magh Meall, Part Two: The Bold Voyage of Mystery, by Sean A.P. Finn Ph.D.
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The Dun Book of Magh Meall, Part Two: The Bold Voyage of Mystery, by Sean A.P. Finn Ph.D.
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The Dun Book of Magh Meall, Part One (2011), told of the birth and development of the Children of Light, in the "Land of Immensity." Here, in Part Two, we follow their adventures as they sail over the great Mother Sea, in pursuit of the mystery that lies beyond the horizon. The manuscript of The Dun Book purports to have been written in the second century which, if true, makes it the oldest example of Irish Immram, or 'voyage,' literature that we possess. It may have served as the prototype for the later immrama; e.g., 'The Voyage of Bran,' 'The Voyage of Máel Dúin,' and 'The Voyage of St. Brendan.' Combining both poetry and prose, The Dun Book, Part Two, refines and redefines our understanding of ancient Irish myth and legend. It is a book of transformation. On the surface, it describes the transformation from the idyllic world of Thesidiline, to other realms among the Myriad Worlds. At a deeper level, the book symbolically describes the process of Druidic initiation, or the mystical process of utilizing knowledge, memory, and imagination to bring about druimmne, or 'wisdom'. The Dun Book of Magh Meall is a book to be savored by students of mythology, Celtica, linguistics, anthropology, Irish literature, Druidism, or by anyone with a sense of literary adventure.
The Dun Book of Magh Meall, Part Two: The Bold Voyage of Mystery, by Sean A.P. Finn Ph.D.- Amazon Sales Rank: #6307187 in Books
- Published on: 2015-03-12
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .72" w x 6.00" l, .94 pounds
- Binding: Paperback
- 288 pages
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1 of 1 people found the following review helpful. Essential Reading for Lovers of Mythic Stories, Poetry, and Philosophy By David Milliern At only 100 pages through this book, I declare it a marvel. My mind knows that this text is a modern construction, and that it is not an ancient translated text; however, my senses are scintillated when reading it, because there are aesthetic features of the text construction that remind me of the great epic poetry and ancient translated texts I’ve read. In a word, second Dun Book is uncanny.The text is a deeply philosophical in its creation of a world no human has known, while, at the same time, representing masterful storytelling in a wonderfully artistic, poetic form. This is book contains more than a voyage of ancient times through an unknown world that pushes the boundary of any human language and experience, but it is also a voyage of the mind, the heart, and the soul, as the reader proceeds. One of the very interesting aspects of this text is the element of Easter philosophical/religious perspective I detected in it: this may be due to the authenticity of the book’s construction as a (fictitious) ancient text, as I have always detected an sense-oriented, holistic kin-ness between ancient stories (e.g., “The Epic of Gilgamesh”), myths, etc., and the extant Eastern philosophical tradition. Upon further reflection, perhaps it is the ancient-ness of the Eastern philosophical tradition that represents the commonality. It’s simply refreshing, and it is the reason I most enjoy the Western ancient texts.Read it as poetry, read it as story, read it as philosophy —but(!) be sure to read it.
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